Nordiska Psalmodikonförbundet

Psalmodikon 04979

Information

NPSF-ID
426jde
Samling
Arne B. Larson Collection, Vermillion, South Dakota, 1979
Nuvarande ägare
National Music Museum
Tillverkat
1914

Mått

Längd (knopp till stämskruv)
82 cm
Bredd (bredaste)
9 cm
Bredd (smalaste)
9 cm
Höjd utan ställ
5 cm

Plats

Nuvarande plats: Vermillion, South Dakota, USA

Tillverkningsplats: Trondheim

Historia

Printed in white letters on red background of circular paper, adhesive label (which was loose in instrument and was retrieved by Margaret Downie Banks, stored in file): ERNST SAVOSNICK / 8065x (hand-written) / DIAF TRYGGVESØN GD / Bedste / Indkjöbssted / for alle slags / Zaars garanti (hand-written) / Instrumenter og Uhre / Stöstse Forretning / i Branchen / TRONDHJEM / 6/2 / 14 Handwritten in pencil inside sound hole, script: Sorensen Psalmodikon is the vernacular name in Norwegian and Swedish. Norwegian tradition for psalmodikon practice utilizes the transposition stick or rule, placed above the fretboard to facilitate use in various keys for an array of singing situations. Unlike the Norwegian tradition, Swedish instruments typically do not use the transposition stick, and therefore, the brackets for holding, as well as the wear marks for use of, are not present. material: wood (sound box, fretboard, brackets for transposition stick, block, bridge, and peg); metal (frets, end button, nails, and eyelet for hanging); resin or hide glue (adhesive); red fabric (hanging strap) configuration: two end blocks with thin strips of wood for the table and sides tacked with small metal nails into wooden blocks on interior of sound box; fretboard tacked to table with metal frets; sound hole between bridge and fret board sound box: two end blocks with thin strips for sides, table and back; resin or hide glue adhesive visible; stained; small, wooden blocks attached to sound box interior for connecting table and sides sound hole: circular sound hole positioned between bridge and end of fret board fretboard: narrow strip of wood held in place by frets driven through to tack into table; painted black position markings: lines in ink or pencil drawn on table to correspond to frets, hand-written ink or pencil numbers for Sifferskrift notation on table with line markings brackets: wooden brackets attached to table for positioning transposition stick; one at each end of fretboard peg: cello peg, probably added by Arne B. Larson, according to Margaret Downie Banks; inserted dorsally bridge: adjustable wooden bridge held in place by two wooden side rails, allowing forward and backward motion – aligned with string; black, wedge-shaped end button: commercially-made, metal screw secures string; positioned on same plane as bridge hanging eyelet: eyelet screwed into end block, nearest end button; red fabric tied through eyelet for hanging string: gut string

Tillverkare & tidigare ägare

Ernst Savosnick

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